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Born in Vancouver, Canada, 1960. Lives and works in Vancouver. EDUCATION Emily Carr College of Art, Vancouver, 1982 SOLO EXHIBITIONS 1996 Musee d'Art contemporain Montreal, Montreal, CANADA 1995 Stan Douglas. David Zwirner Gallery, New York Stan Douglas. Marstall, DAAD, Berlin, GERMANY Stan Douglas, Monodramas, Neuer Aachenerkunstverein, Aachen, GERMANY The Renaissance Society at the University of Chicago, Chicago, catalogue 1994 Pursuit, Fear , Catastrophe: Ruskin B.C.. Milwaukee Art Museum, Milwaukee, USA, Nov- Jan Hors-Champs, Houston Contemporary Museum of Art, Texas, August Stan Douglas (with Diana Thater). Witte De With, Centre for Contemporary Art, Rotterdam, HOLLAND.catalogue. Stan Douglas, Centro Reina Sofia, Madrid, SPAIN, catalogue Stan Douglas, Kunsthalle, Z¸rich, SWITZERLAND. catalogue. Stan Douglas, Institute of Contemporary Art London, ENGLAND Hors-Champs, Wadsworth Atheneum, Hartford, USA Stan Douglas, York University & Guelph University, Toronto, CANADA. Stan Douglas, MusÈe national d'art moderne (Centre Georges Pompidou), Paris, FRANCE. Catalogue by Peter Culley and Jean Christophe Royoux 1993 Monodramas, Galerie Christian Nagel, Cologne, GERMANY Hors-Champs, Transmission Gallery, Glasgow, SCOTLAND Hors-Champs, World Wide Video Centre, Den Haag, HOLLAND Hors-Champs, David Zwirner, New York, USA 1992 Monodramas, Art Metropole (with broadcast),Toronto, CANADA Monodramas and Loops, UBC Fine Arts Gallery (with broadcast), Vancouver, CANADA. Catalogue: Stan Douglas, John Fiske, Scott Watson. 1991 Monodramas, Galerie nationale du Jeu de Paume, Paris, FRANCE 1991 Trois installations cinematographiques, Ambassade du Canada, Services culturels, Paris, FRANCE 1989 Subject to a Film: Marnie/Television Spots, YYZ Gallery, Toronto, CANADA 1988 Television Spots/Subject to a Film: Marnie (studies), Contemporary Art Gallery, Vancouver, CANADA. Catalogue:Stan Douglas, Miriam Nichols. Samuel Beckett: Teleplays (Stan Douglas, curator), Vancouver Art Gallery (toured Canada, the United States, Australia, France and Italy 1988-91). Catalogue: Samuel Beckett, Linda Ben-Zvi, Clark Coolidge, Stan Douglas; Stan Douglas, editor. Television Spots (first six)/Overture, Optica -un centre d'art contemporain, Montreal, CANADA Television Spots (first six), Artspeak Gallery, Vancouver, CANADA 1987 Stan Douglas: Perspective '87, Art Gallery of Ontario (with broadcast), Toronto, CANADA. Catalogue:Barbara Fischer. 1986 Onomatopoeia, Western Front, Vancouver, CANADA 1985 Panoramic Rotunda, Or Gallery, Vancouver, CANADA 1983 Slideworks, Ridge Theatre, Vancouver, CANADA GROUP EXHIBITIONS 1996 "Whitney Biennial", Statens Museum for Kunst, Copenhagen, DENMARK 1995 "Carnegie International", Carnegie Museum of Art, Pittsburgh, catalogue (through February, 1996) "Video Spaces," Museum of Modern Art, New York, with Bill Viola, Gary Hill, and others. "Public Information: Desire, Disaster, Document", Museum of Modern Art, San Francisco, catalogue Museum of Contemporary Art, Los Angeles, catalogue "Trust", Tramway, Glasgow, SCOTLAND Raum Aktueller Kunst, Vienna, AUSTRIA Canadian Museum of Contemporary Photography, Ottawa, Ontario, CANADA "Spirits on the Crossing," Setagaya Museum of Art, Tokyo, JAPAN, catalogue "Spirits on the Crossing," Hokkaido Museum of Modern Art, Sapporo, JAPAN Spirits on the Crossing," National Modern Art Museum, Kyoto, JAPAN 1995 "Das Ende der Avant Garde", Kunst als Dienstleistung. Sammlung Schrmann, der Kunsthalle der Hypo-Kulturstiftung, Munich, GERMANY "Whitney Biennial", Whitney Museum of American Art, New York "Whitney Biennial", Museum of Modern Art, Prague, CZECHOSLOVAKIA "Temporary Translation(s). Kunst der Gegenwart und Fotografie." Sammlung Schürmann Deichtorhallen, Hamburg, GERMANY, catalogue "Printemps de Cahors", Cahors, FRANCE, TV Broadcast "en passant", Institut f¸r Gegenwartskunst, Vienna, AUSTRIA 1994 "The Media", Magic Media Company, Huerth, GERMANY"In the Field. Landscape in Recent Photography." Margo Leavin Gallery, Los Angeles. October-November. "First Light: Celebrating African Canadian Cinema", Canadian Artist's Network: Black Artists in Action, Toronto, CANADA, November David Zwirner, NY, Summer Group Show, June - July "Notational Photographs", Metro Pictures and Petzel/Borgmann Gallery, Sept.-Oct. "Les Absences de la photographie," Goethe Insitut, Montreal, CANADA Theoreticalevents, Naples, ITALY, July - October Museum Van Hedengaagse Kunst, "Beeld/Beeld" (Image/Image), Ghent, BELGIUM, March 5 - April 17 Galerie Nicolai Wallner, "Stain", Copenhagen, DENMARK, March 19th - April 10th, catalogue LACE, (Los Angeles Contemporary Exhibitions), "Neither Here Nor There", June 1993 Self Winding, Sphere Max, Tokyo, JAPAN Out Of Place, Vancouver Art Gallery, Vancouver, CANADA. Catalogue. Self Winding, Nanba City Hall, Osaka, JAPAN Tele-Aesthetics, Procter Art Center, Bard College, Annandale-on- Hudson, USA. Catalogue:Sandra Antelo-Suarez Canada - une nouvelle gÈnÈration, FRAC des Pays de la Loire, GÈtignÈ- Clisson, and MusÈe de L'Abbaye Sainte-Croix, Les Sables-d'Olonne, FRANCE. Catalogue. Canada - une nouvelle gÈnÈration, MusÈe de Beaux Arts, and FRAC Franche-ComtÈ, Dole, FRANCE. Catalogue. Working Drawings, Artspeak Gallery, Vancouver, CANADA 1992 Documenta IX, Kassel, GERMANY. Catalogue: Jan Hoet, et al. The Creation ... of the African-Canadian Odyssey, The Power Plant, Toronto, CANADA. Catalogue: Nkiru Nzegwu. 1991 Schwarze Kunst: Konzept zur Politik und Identitaet, Neue Gesellschaft fuer bildende Kunst, Berlin, GERMANY. Catalogue: Hilton Als, Yasmin Ramirez, Frank Wagner. Northern Lights, Canadian Embassy, Tokyo, JAPAN. Catalogue: Peggy Gale. The Projected Image, San Francisco Museum of Modern Art, San Francisco, USA 1991 "Working Truth/Powerful Fiction" as part of the Regina Work Project, Mackenzie Art Gallery, Regina, CANADA.Catalogue: Jessica Bradley. Private/Public: Art and Public Discourse, Winnipeg Art Gallery (with broadcast), Winnipeg, CANADA 1990 PrivÈ/Public: Art et Discours Social, Galerie d'art Essai & Galerie du Cloitre, Rennes, FRANCE Passage de l'image (Video Program), MusÈe national d'art moderne (Centre Georges Pompidou), Paris, FRANCE. Catalogue: Christine van Assche, Raymond Bellour, Catherine David, et al. Aperto '90, Biennale di Venezia, Venice, ITALY. Catalogue: Bernard Blistene, Stuart Morgan, Linda Shearer, et al. 1990 Issues in Contemporary Video, Mendel Art Gallery (TV Spots with broadcast), Saskatoon, CANADA Sydney Biennale, Art Gallery of New South Wales, Sydney, AUSTRALIA. Catalogue: Rene Block, et al. Reenactment, Between Self and Other The Power Plant, Toronto, CANADA. Catalogue: Barbara Fischer. 1989 Photo Kunst, Staatsgalerie Stuttgart, Stuttgart GERMANY. Catalogue: Jean-FranÁois Chevrier. Biennial Exhibition of Contemporary Canadian Art, National Gallery of Canada (TV-Spots with broadcast), Ottawa, CANADA. Catalogue: Diana Nemiroff. The Vancouver Exchange, Cold City Gallery, Toronto, CANADA 1988 Made in Camera, VAVD Editions, Stockholm, SWEDEN. Catalogue: Peter Andersson, editor. Behind the Sign, Artspeak Gallery, Vancouver, CANADA. Catalogue: Miriam Nichols, Cate Rimmer, Scott Watson. 1986 Camera Works, Or Gallery, Vancouver, CANADA Broken Muse, Vancouver Art Gallery, Vancouver, CANADA.Catalogue: Helga Pakassar, Keith Wallace. Songs of Experience, National Gallery of Canada, Ottawa, CANADA. Catalogue: Jessica Bradley, Diana Nemiroff. 1986 Mechanics of Memory, Surrey Art Gallery, Surrey, CANADA.,Catalogue: Jane Young. 1983 Vancouver: Art and Artists 1931-1983, Vancouver Art Gallery, Vancouver, CANADA. Catalogue: Jo-Anne Birnie Danzker, Lorna Farrell-Ward, Scott Watson, et al. PST: Pacific Standard Time, Funnel Film Theatre (a YYZ project), Toronto; Western Front, Vancouver, CANADA. BIBLIOGRAPHY 1995 Charles Hagen, "Back in Fashion, Video Installations," The New York Times, July 11 Charles Hagen, "Art in Review", The New York Times, April 21 Peter Schjeldahl, "In Love Again," The Village Voice, April 11 McLean Greaves, "Canadian artists crash Whitney's showcase", The Globe and Mail, April 1 Sabine B. Vogel, "Die Sprachen der Medien", Artis, February-March Sarah Curtis, "Stan Douglas. Insitute of Contemporary Art, London", Review, World Art, #1 Ronald Berg, "Das Monodrama im Monitor", Tagesspiegel, February 15 Sabine Vogel, "Review: Kunsthalle Zurich", Artforum, January 1994 Catherine Elwes, "Stan Douglas Review at the ICA." Art Monthly, October Scott Watson, "Making History." Canadian Art, Winter Din Pieters, "Fascinerende tv-en filmbeelden in Witte de With", NRC Handelsblad, October 14 Robbert Roos, "Anders omgaan met film en video", Trouw, September 28 Rutger Pontzen, "Plotloze films uit Terminal", Vrij Nederland, September 24 Sabine B. Vogel. "Lesen auf der Rueckseite der Bilder." Frankfurter Allgemeine Zeitung. Friday, September 23, 1994. Ben Lewis. "Stan Douglas", What's On, September 23, 1994 Dolf Welling, "Overrijk aanbod van tentoonstellingen", Rotterdams Dagblad, September 20 Ineke Schwartz, "Beeldende kunst blijft te vaak op afstand", De Volksrant, September 15 Richard Cork. "Unhappy case of nostalgia." The London Times, September 6, 1994 Carla Tjon, "De Verwarde Kijker", Magazijn, September 1994 Stephen Sarrazin. "Le Cadet de la foret: Spoorzoeken in het werk van Stan Douglas." Metropolis, August, 1994. Muriel Liebert. "Stan Douglas. La Situation du Spectateur dans l'Oeuvre." Artefactum, #52, Summer Harry Rudolfs. "Douglas Loops and Splits in Guelph and Downsview". Excalibur, March 16, 1994 Jose Levrero Stals. Global Art. Flash Art, summer 1994, page 111 Jean-Christophe Royoux. "Resonance: Stan Douglas & Olivier Cadiot". Galeries Magazine. April 1994, page 46-49 Jean-Paul Fargier. "Charmants Fantomes", Le Monde. January 13, 1994, (Arts et Spectacles), page 1 and 4 Owen McNally. "Freedom Rings". The Hartford Courant. January 21, 1994, Section C, pages 1 and 4 1993 Pavel Buechler. "Digging it". Creative Camera. October/November 1993 Luca, Elisabetta. "Stan Douglas", Juliet Art Magazine No 64, (October -November 1993):pg 48 Lynne Cooke, "Broadcast Views - Stan Douglas interviewed by Lynne Cooke", Frieze Issue 12, (September 1993), 41-45, ill. Peter Culley. "The Magic Box: Stan Douglas in the Cabinet of Cinema." Out of Place. Vancouver Art Gallery, 1993, edited by Gary Dufour. 1992 Jean Christophe Royoux, "Documenta IX: the Call of the Phrase",Galleries 50, (August/September 1992): 80-89 Kate Taylor, "Monodramas" Review. The Globe and Mail, Toronto, (November 1992) Jean-Yves Bosseur, Le sonore et le visuel: Intersections musique/arts plastiques aujourd'hui [interview] (Paris: Dis Voir, 1992): 143-146. Richard Rhodes, "Documenta IX," Canadian Art IX:3 (Fall 1992): 82-87, ill. Douglas Fetherling, "Vancouver Anthology," Canadian Art IX:3 (Fall 1992): 104, ill. John O'Brian, "Vancouver Anthology," Parachute 66 (April-June 1992): ill. Nkiru Nzegwu, "The Creation of the African-Canadian Odyssey", The International Review of African American X:1 (Spring 1992); 16-37, ill. David Joslit, "Projected Identities," Art in America (November 1991): 116- 123, ill. 1991 Tony Reveaux, "Fleeting Phantoms: the Projected Image at SFMOMA," Artweek (28 March 1991): 1, 20-21. Zainub Verjee, "Vancouver Anthology", Front (January/February 1991): 18-21 1990 Monika Gagnon, "Reenactment: Between Self and Other," C Magazine 26 (Summer 1990): 58-60. 1991 Mike Hoolbloom, "Stan Douglas Talks at YYZ", Independent Eye X:2 (Winter 1989) 36-39, ill. 1989 Jo-Anne Birnie Danzker, "The Beauty of the Weapons," Canadian Art (Fall 1989): 102-107, ill. Arne Zazlove, "Samuel Beckett's Teleplays," C Magazine 23 (Fall 1989): 60-65, ill. Mark Harris, "Stan Douglas: Television Spots," C Magazine 21 (Spring 1989): 74-75, ill. 1988 Karen Henry, "Television Spots," Parachute 51 (June-August 1988): 35- 36, ill. Scott Watson, "Zweimal Canada Dry - Sechs K¸nstler aus Vancouver," Wolkenkratzer Art Journal (March-April 1988): 28-33, ill. Peggy Gale, "Stan Douglas: Perspective '87," Canadian Art (Spring 1988): 32-33, ill. Peter Culley, "Window Dressing," Vanguard (April-May 1988): 32-33,ill. Peter Culley, "Dream as Dialectic: Two Works by Stan Douglas," Vanguard (September 1987): 10-13, ill. 1987 Michael Lawlor, "Camera Works," Parachute 47 (June-August 1987): 44- 45. Jane Young, "Broken Muse," C Magazine 13 (Spring 1987): 75-77. Jean Tourangeau "Sins of Experience," Vanguard (Winter 1986/1987): 14-21, ill. 1986 Carol Laing "Songs of Experience," Parachute 44 (September- November 1986): 67-69. William Wood, "Skinjobs," C Magazine 11 (Fall 1986): 78-87, ill. 1985 Scott Watson "The Afterlife of Interiority: Panoramic Rotunda," C Magazine 6 (Summer 1985): 23-25, ill. 1982 Daniel Barb "Stan Douglas" Vanguard 11 (September 1982): 39 PUBLICATIONS "Pursuit, Fear, Catastrophe: Ruskin B.C. (1993)", Jahresring 41: Jahrbuch fuer moderne Kunst, edited by Christiane Schneider, 1994. "Police Daily Record" Project for Frieze, Issue 12, (September 1993), 46- 47, ill. "Accompaniment to a Cinematographic Scene: Ruskin B.C.," WestCoast Line XXVI: 2 (Burnaby: Simon Fraser University, Fall 1992): 9-12; ill., front & back covers. Vancouver Anthology: The Institutional Politics of Art, Stan Douglas, ed. (Vancouver: Talonbooks, 1991): 304pp. "Introduction," Vancouver Anthology: The Institutional Politics of Art, 11- 21. "Joanne Tod and the Final Girl," Joanne Tod (Toronto/Saskatoon:The Power Plant/Mendel Art Gallery): 31-52; rpt abr. Parachute 65 (January- March 1991): 11-17. "Public Art in a Nutshell," paper delivered at Politics of the Image, Dia Center for the Arts, New York USA, November 1990. "Shades of Masochism: Samuel Beckett's Teleplays," Australia: Photofile (Fall 1990): 16-25, ill. Samuel Beckett: Teleplays Stan Douglas, ed. (Vancouver: Vancouver Art Gallery, 1988): 80pp. "Goodbye Pork-Pie Hat," Samuel Beckett: Teleplays, 11-19; rpt. Vanguard (November 1988): 16-21, ill. with Deanna Ferguson, Link Fantasy (Vancouver: Artspeak Gallery, 1988): 24pp. COLLECTIONS Musee national d'art moderne-Centre Georges Pompidou, Paris, FRANCE Art Gallery of Ontario, Toronto, CANADA Fondation Cartier pour l'art contemporain, Paris, FRANCE Museum van Hedendaagse Kunst, Gent, BELGIUM Vancouver Art Gallery, Vancouver, CANADA Collection Clyde & Karen Beswick, Los Angeles, USA Winnipeg Art Gallery, Winnipeg CANADA Canada Council Art Bank, CANADA Collection Pamela and Richard Kramlich, San Francisco, USA San Francisco Museum of Modern Art, San Francisco, USA Collection Ann and Marshall Webb, Toronto, CANADA Collection Greg Linn and Clayton Press, Philadelphia, USA