[N.B. ehsf=Everyone Has Sher Favorite]
| Box | Contents | ||||||||||||||||||
| 37 | A-E | ||||||||||||||||||
| Folder of bio-bibliography, articles about Higgins, conversations with publisher. | |||||||||||||||||||
| abstand zum abstand veb; in ehsf | |||||||||||||||||||
| Alan Sondheim and the Knee-Jerk School of Criticism ms, corresp. to Charles Bernstein and Kostelanetz | |||||||||||||||||||
| the answer; in Clown War | |||||||||||||||||||
| Anti-Tenure campaign | |||||||||||||||||||
| Appearances and Disappearances; in ehsf | |||||||||||||||||||
| assignments; in Something Else Yearbook | |||||||||||||||||||
| The Autobiography of the Moon (see also Series IV, Box 65) | |||||||||||||||||||
| Bande Cordier's Circular Canon two copies of Ear Magazine 3, no.6 (Sept/Oct 1977) | |||||||||||||||||||
| being in a corner of a corner; in Clown War | |||||||||||||||||||
| Boris Blastoffs last dance; in Modular Poems | |||||||||||||||||||
| Carmen | |||||||||||||||||||
| Cat Alley ms, book, corresp. | |||||||||||||||||||
| Catastrophe; in New Poems | |||||||||||||||||||
| Celestials for Bengt af Klintberg | |||||||||||||||||||
| Cent mots des clohes a noixes; in Borbarigmi | |||||||||||||||||||
| City with all the Angles (see also Series IV, Box 43) | |||||||||||||||||||
| Cito's song | |||||||||||||||||||
| Classic Plays | |||||||||||||||||||
| a comedy | |||||||||||||||||||
| Conceptual Forks; in Ear Magazine | |||||||||||||||||||
| Consellation #11; in Poems, Plain & Fancy | |||||||||||||||||||
| A Dance for Maureen Conner; in ehsf | |||||||||||||||||||
| Death and the nickle cigar | |||||||||||||||||||
| Dé-coll/age (magazine) No.2 (Nov. 1962) with dh's "The Broadway Opera, " also letter from Jon Hendricks | |||||||||||||||||||
| Deep summer together poem (killed project, but in ehsf) corresp., mss, galley, repros, 2nd issue of Mouth of the Dragon | |||||||||||||||||||
| Design plays (1960) mss and copyright requests | |||||||||||||||||||
| A Dialectic of Centuries; see "Intermedia, " Box 39 | |||||||||||||||||||
| Dice to decimal correspondences includes Dice Decimal Correspondence chart with dh note, "used for performing chance operations on texts using dice" | |||||||||||||||||||
| "Distributing Books" mss (essay); in unreleased Something Else Newsletter 1, no.7 (1973) | |||||||||||||||||||
| ducks tails shaking; in ehsf | |||||||||||||||||||
| "Employment questionnaire" | |||||||||||||||||||
| An Encyclopedia of Poetry; in Unmuzzled Ox | |||||||||||||||||||
| the ephitaphs mss, corresp., 2 photos of the 1977 Naples exhibition and one photo of ceramic work | |||||||||||||||||||
| Epikall Quest original ms | |||||||||||||||||||
| Everyone has Sher Favorite (His or Hers) ms and cover proof (see also *Box 81, for cover art). | |||||||||||||||||||
| Exemplative Manifesto mss "Exemplative Works of Art, " corresp., production, mss partial, see "2 essays written on May 16, 1976, " in next folder and Mac Low corresp., Box 20, for interesting dialogue about this work (see also Box 47B for title neg.) | |||||||||||||||||||
| Exemplative Works of Art; in Dialectic of Centuries | |||||||||||||||||||
| 38 | F-H | ||||||||||||||||||
| "Fight" | |||||||||||||||||||
| Five Myths of Postmodernism 3 mss, with corrections by Billy Name, Harry Polkinhorn and Lisa Null, first draft and final version of ms, corresp. | |||||||||||||||||||
| Five Traditions of Art History, an Essay poster | |||||||||||||||||||
| Fluxus: Theory and Reception corresp. includes ms comments by Ann Williams, Knowles and Ken Friedman., and mss | |||||||||||||||||||
| Foew visual material | |||||||||||||||||||
| For Eugene in Germany corresp., mss, bound proofs with cover and corrections, cover art | |||||||||||||||||||
| For Kathy K_ _ _ _; in ehsf (K=Kohler) | |||||||||||||||||||
| Four Dangers, a Structure and a Symphony | |||||||||||||||||||
| fourteen considerations for Wieland Schmeid | |||||||||||||||||||
| Fourth of July Variations corresp. (one letter, no ms) | |||||||||||||||||||
| French Revolution, 1955 early happening, typescript of prop list | |||||||||||||||||||
| Friend, what's going on here?; in ehsf | |||||||||||||||||||
| George Herbert's Pattern Poems in their Tradition: mss (master's thesis) and bibliography (see also Series III, Box 45, for production material) | |||||||||||||||||||
| Gilles; in ehsf | |||||||||||||||||||
| glasslass poster | |||||||||||||||||||
| Great Meat Boycott mss and newsletter in which published | |||||||||||||||||||
| Happytime the Medicine Man; see also Series III, Box 65 | |||||||||||||||||||
| his and hers; in ehsf | |||||||||||||||||||
| History of Art; in ehsf | |||||||||||||||||||
| History of Fluxus | |||||||||||||||||||
| Horizons (essay) corresp., mss. | |||||||||||||||||||
| Horizons: The Poetics and Theory; see also Series III, Box 50 | |||||||||||||||||||
| Hymn; in ehsf, no mss, empty folder | |||||||||||||||||||
| 39 | I-O | ||||||||||||||||||
| I wonder if these are my laster pieces | |||||||||||||||||||
| In the context of shoes | |||||||||||||||||||
| Innovation ("original in Dialectic of Centuries box"); became a Something Else Newsletter | |||||||||||||||||||
| Intermedia: Notes toward the art of the 70's w/letter to Dr. Jutta Siegurd-Schultze, 1980 (became Dialectic of Centuries) | |||||||||||||||||||
| "it could be you too"; in ehsf, corresp. | |||||||||||||||||||
| Johnny, Are You Frightened of your dreams? (part of 7.7.73 cycle and in Modular Poems), mss, notes by dh, corresp. | |||||||||||||||||||
| jolie julie est ma mimou: poem and brush drawing; in ehsf | |||||||||||||||||||
| The journey: eight colored scenes dupe ms. | |||||||||||||||||||
| Just who knows what; (1964) | |||||||||||||||||||
| Juvenilia two issues of Horae Scholasticae, literary magazine at St. Pauls with work by dh | |||||||||||||||||||
| Leather jacket vaudeville; in ehsf | |||||||||||||||||||
| Legends and Fishnets; see also Series III, Box 44 | |||||||||||||||||||
| Letters to the editors, 1976-92 (various) includes copy of Lotta Poetica 15-16 (Aug-Sept 1972) | |||||||||||||||||||
| levels; in Roof magazine | |||||||||||||||||||
| The Köln Fluxus and Happenings Show | |||||||||||||||||||
| life; in ehsf | |||||||||||||||||||
| life on his wife's casting couch: in Some Recent Snowflakes, paste-up, proof, type galley | |||||||||||||||||||
| life and times of the croissant: in Epickall Quest, mss, 3 letters re. Len Fulton and Keith Waldrop, publisher of Burning Deck | |||||||||||||||||||
| The Limitations of Distribution | |||||||||||||||||||
| love song for straights; in ehsf | |||||||||||||||||||
| lyronic: no binding permitted poem, corresp. (1), notes | |||||||||||||||||||
| The Madonna on the rocks film scenerio (1 pg) | |||||||||||||||||||
| many mirrors for Gertrude Stein proofs (fragile, has been conserved) | |||||||||||||||||||
| Martin (movie script); in ehsf | |||||||||||||||||||
| Mediocracy: getting the arts past the 1980's | |||||||||||||||||||
| mice all over the place mss with specs for typesetting | |||||||||||||||||||
| Milwaukee poem; in ehsf, "creamcity review" | |||||||||||||||||||
| modern times in ehsf, mss, corresp., notes | |||||||||||||||||||
| modular poems; see also Series III, Box 44 | |||||||||||||||||||
| More Danger and Fur Poems to be Performed | |||||||||||||||||||
| moving; in ehsf | |||||||||||||||||||
| The Musical Wig | |||||||||||||||||||
| the nature of fish; in ehsf | |||||||||||||||||||
| A New Novel About Sypholoon Endestuary Ken Friedman's commentary; dh letter to Friedman (no ms) | |||||||||||||||||||
| 1959/60 | |||||||||||||||||||
| 1968 started very strangely | |||||||||||||||||||
| Non-Performance Pieces (1968) mss of prose poems | |||||||||||||||||||
| Novalis: Hymns to the Night corresp (with Bruce McPherson of Treacle Press, publisher of this book, trans. by dh), part of ms trans. with letter to Ken Elmslie, 8 Aug 76, re: section i, mss sections ii-vi | |||||||||||||||||||
| Ode to London several copies printed on mylar (1967) | |||||||||||||||||||
| Of Celebration of Morning partial mss, arranged by worlds (see Series III for full production material) | |||||||||||||||||||
| Of the Autogogs and the gowns mss essay "to be in Epickall Quest" | |||||||||||||||||||
| On Doing too Much for Dialectic of Centuries, 1977, mss, two copies | |||||||||||||||||||
| 100 Plays printed mss | |||||||||||||||||||
| 40 | P-S | ||||||||||||||||||
| Pattern Poetry Guide to an Unknown Literature; See also Series III, Boxes 58-61 | |||||||||||||||||||
| The Pendulum | |||||||||||||||||||
| A Penny for your thoughts, aka Penny Piece in Avalanch, corresp. (3), dh description of this performance piece; reference to photos (not in folder) | |||||||||||||||||||
| Le Petit Cirque au fin du Monde copy of Aarevue #50/51 (Jan-Feb 1973) | |||||||||||||||||||
| Pleasures of life or . . .; in Modular Poems | |||||||||||||||||||
| Poem from or for Bern Porter in ehsf (bp 30 vii 76), along with Bern Porter's "The Erotikon Contributions" | |||||||||||||||||||
| Poetry of John Cage corresp. only, no ms | |||||||||||||||||||
| Portrait of a Woman in ehsf, poem, dh notes, variations | |||||||||||||||||||
| Post-Cognitive Era essay (original folder has note "acquired for Ben Pattersen 1978") (3) mss, corresp. | |||||||||||||||||||
| Post-modern performance; in Performance by Artists, 1979 | |||||||||||||||||||
| Printing songs (#1-11) | |||||||||||||||||||
| Private Illuminations | |||||||||||||||||||
| Protest piece directions for a performance, one sheet | |||||||||||||||||||
| A p.s. for Steve McCaffery two sheets | |||||||||||||||||||
| put differently another secratic question for Mike Belt in ehsf, also includes ms entitled "Another secratic question for Mike Belt" | |||||||||||||||||||
| red dog (Roter Hund) in ehsf, corresp, notes, mss in English and German | |||||||||||||||||||
| Reviews by dh "Three Worlds Three Women" in Contact II 2, no. 1 (Nov/Dec 1978) and typescript of "Teaching & Learning as Performing Arts" and "Coo-less Haiku" (M.J. Phillips' haikus in News Art), clipping, n.d. | |||||||||||||||||||
| Saint Joan at Beaurevoir performance script (1960), flyer, mss, typescript, mss (1959) with explanation of use of slides in performance | |||||||||||||||||||
| sandals and stars | |||||||||||||||||||
| Kurt Schwitters trans. by dh, poem, essay, Francis Picabia poem trans. | |||||||||||||||||||
| Selected early works production corresp. (see also Series III Poems, Plain & Fancy) | |||||||||||||||||||
| Seven Stars for Professors | |||||||||||||||||||
| Six Concretions | |||||||||||||||||||
| 6 invitations for Piano & Pianist mss (one sheet), dh notes | |||||||||||||||||||
| six trivial reflections (1977) six copies mss | |||||||||||||||||||
| The Sixties two letters, no mss | |||||||||||||||||||
| Snake in the Grass | |||||||||||||||||||
| snowflake an impromptu | |||||||||||||||||||
| So; in Asylum v.6, no.2 (Sept 1990) | |||||||||||||||||||
| some clouds for asriel | |||||||||||||||||||
| Some Graphis Mirrors (a Threadneedle booklet) graphics with text, 1967 | |||||||||||||||||||
| some poetry intermedia poster | |||||||||||||||||||
| Some recent snowflakes ms (with specs) | |||||||||||||||||||
| something borrowed (1974) | |||||||||||||||||||
| Something Else Newsletter: vol.1, nos.1-12; vol.2, nos.1-8; vol.3, nos.2-3; misc. book order forms, Camille's Reports nos. 1-3, SE newscard nos. 1-9 | |||||||||||||||||||
| Song, "a little sparkling moment" | |||||||||||||||||||
| Song, "is round six" | |||||||||||||||||||
| Song (Graphis 192b) for any voices(s) and instrument(s) three copies mss, some repros, corresp. with Andrew Bogle, Auckland City Art Gallery re: "Chance in Art" show and 10th anniversary issue of EAR where it was published | |||||||||||||||||||
| Sonnet: "Of Barton winds my breath is made" mss, corresp, clippings, holograph versions of poem | |||||||||||||||||||
| Spring Game: an opera for shadow puppets ms, proofs, corresp. | |||||||||||||||||||
| spring person | |||||||||||||||||||
| Started very strangely | |||||||||||||||||||
| strange fellows, or Dr. Daffy's Greek lover | |||||||||||||||||||
| Structure | |||||||||||||||||||
| Styles in Cognitivism essay (note on folder, "see also Two Essays Written on May 16, 1976"), two copies | |||||||||||||||||||
| Suggested activities (i-vi) | |||||||||||||||||||
| Summer Music | |||||||||||||||||||
| Symmetry poem, one letter | |||||||||||||||||||
| Symphony No. 1007 one sheet | |||||||||||||||||||
| 41 | T-Z | ||||||||||||||||||
| Tamerlane's Darugar and Timurtas's Silence (pattern poem/graphic) | |||||||||||||||||||
| The Tart, or Miss America; in Jefferson's Birthday | |||||||||||||||||||
| Teaching at Cal Arts in three parts (part Yeni, part Lingam, and Climax) mss for parts 1-2, corresp. (2), clippings for LA Free Press 1, 2, 3 | |||||||||||||||||||
| 10.5155.20: art contemporain issue no.5 guest edited by dh and Karl Kempton, corresp., illus., mss | |||||||||||||||||||
| This one's for Tony flyer for a happening, n.d., Newhall, CA | |||||||||||||||||||
| Three movements of wheels directions for making and drawing a music wheel machine, 1959 on original folder | |||||||||||||||||||
| Three Paradies of my own Styles; Epickall Quest | |||||||||||||||||||
| 3 reflections on Post-Structuralism (made into postcards) mss, holograph versions, typesetting | |||||||||||||||||||
| Three Things by Dick Higgins | |||||||||||||||||||
| To Analyze the Process | |||||||||||||||||||
| to gather together #10; composed for a collective piano piece originally by Daniele Lombardi | |||||||||||||||||||
| to my brother and sister english teachers | |||||||||||||||||||
| Towards an Allusive Referential mss (for Dialectic of Centuries) two copies | |||||||||||||||||||
| To whom it may concern | |||||||||||||||||||
| 28 things to think about; became graphic with Conz | |||||||||||||||||||
| twenty six parallels to the english alphabet | |||||||||||||||||||
| 2 Essays written on May 16, 1976 both in Dialectic of Centuries, mss (typescript), Styles in Cognitivism, Exemplative Works of Art, one letter | |||||||||||||||||||
| Two Hundred and Sixteen Basic Cuing Situations | |||||||||||||||||||
| 2 insincerities two letters (dh to David Wilk, Wilk to dh re: publishing it | |||||||||||||||||||
| 2 things about the woods; in ehsf | |||||||||||||||||||
| Underpiece/Overpiece in Horizons, typescript mss, corresp., holograph outline summary | |||||||||||||||||||
| untitled 9/23/71 ("AHA - - -") one sheet | |||||||||||||||||||
| untitled 2/4/77 ("vain man/"); in ehsf | |||||||||||||||||||
| waiting for a friend in Some Recent Snowflakes, two mss (typescript) versions | |||||||||||||||||||
| waltz macabre; in ehsf | |||||||||||||||||||
| wedding bells in 100 words (see also French version Cent mots . . . [1970]); in Poems, Plain & Fancy | |||||||||||||||||||
| What the Theater Can Be | |||||||||||||||||||
| winter music; in ehsf | |||||||||||||||||||
| words are mirrors; in Some Recent Snowflakes | |||||||||||||||||||
| Yankee: two letters; in Intersection | |||||||||||||||||||
| You're in the news today: a proposed environment; in ehsf | |||||||||||||||||||
| Rejected works A-Z | |||||||||||||||||||
| bell song | |||||||||||||||||||
| Child's History of Grown-Ups | |||||||||||||||||||
| Concerto for Politics | |||||||||||||||||||
| Dada and Berlin | |||||||||||||||||||
| Declaration of Independence (for NESPA) | |||||||||||||||||||
| de perfide mss, corresp. (4 letters) | |||||||||||||||||||
| down | |||||||||||||||||||
| East Hampton: or The Private Life of the Pudgies; see Susan Thompson file in Series I | |||||||||||||||||||
| ebb tide: a musical hörspiel (performed at Poughkeepsie) mss, notes, production corresp., issues of The Poultry Times used for research | |||||||||||||||||||
| end of something: mss, corresp. | |||||||||||||||||||
| an essay on names | |||||||||||||||||||
| Figures in front of a curtain: Leonora Carrington: corresp., mss, catalog of 1976 retrospective exhibition at Univ. of Texas, Austin | |||||||||||||||||||
| friends | |||||||||||||||||||
| happy birthday of the chross | |||||||||||||||||||
| Inventing our back pages | |||||||||||||||||||
| the last supper (without jesus) | |||||||||||||||||||
| a legendary situation: mss, corresp. (1) | |||||||||||||||||||
| May 20 | |||||||||||||||||||
| Newface mss, corrected copy, notes (portions published in New Lazarus Review 3/4 (1980) | |||||||||||||||||||
| Nowboy Song | |||||||||||||||||||
| An open letter to Livingston Biddle mss, corresp. (2) | |||||||||||||||||||
| Please write a second stanza | |||||||||||||||||||
| portrait of Shelley | |||||||||||||||||||
| The Prodigal Son: mss, corresp. | |||||||||||||||||||
| rein de rein, les deux vols | |||||||||||||||||||
| the rose triangles | |||||||||||||||||||
| A Self-referential Sonnet | |||||||||||||||||||
| snowflake with pierrot | |||||||||||||||||||
| The Spoken Pause: An Essay for Alison | |||||||||||||||||||
| Suburban Fashions | |||||||||||||||||||
| Teleology | |||||||||||||||||||
| Thesis Pesis | |||||||||||||||||||
| to be made into a song and be sung by Mike Bolt | |||||||||||||||||||
| transformed for Richard | |||||||||||||||||||
| transformed him | |||||||||||||||||||
| untitled 2/14/77 ("bold told - - -') | |||||||||||||||||||
| A valentine for valentines: mss, holograph version, one letter | |||||||||||||||||||
| Variation on a theme by freifeld | |||||||||||||||||||
| what-a-day-ing | |||||||||||||||||||
| winter song: mss, corresp. | |||||||||||||||||||
| without resistance | |||||||||||||||||||
| Women and Composition, an Outsider's View: mss, corresp. | |||||||||||||||||||
| Journals | |||||||||||||||||||
| Journal 1 (1966) bound holograph with inserts, poems, notes, etc. | |||||||||||||||||||
| Journal (August 1973, Berlin) poems, notes, etc. | |||||||||||||||||||